At the Blackfish: Live Premiere

(This blog was originally posted on July 5, 2016)

After the screening I got to meet several of the former SeaWorld trainers featured

in Blackfish: Dean Gomersall (left), me, Samantha Berg and Carol Ray

Photo by Lisa McDougald

Many people who know me are aware that I am passionate about animal conservation--especially ending captivity of orcas (killer whales). On Friday, July 1, 2016 I enjoyed the once-in-a-lifetime opportunity to attend the premiere screening of Blackfish Live at the Montalbán theater in Hollywood. I had already seen the film several times, including once in the cinema and many viewings on CNN and DVD. However, this event was extra-special because Jeff Beal, who composed the movie’s fabulous score, conducted the Hollywood Chamber Orchestra as they played the soundtrack to accompany the film. In addition, four of the former SeaWorld trainers featured in Blackfish attended the screening and were on-hand to discuss the film’s impact since its debut at the Sundance Film Festival in 2013.

I didn’t even expect to be able to attend the event when I first heard about it a couple weeks ago. While I always wanted to go, by the time I got around to investigating availability of a ticket I doubted there would be any seats left. Then Dean Gomersall posted a cheery “Hope to see you all there tomorrow evening” comment with the event’s link on Facebook. Of course, I “liked” the post. I knew it was now or never to get a seat, so I asked if he knew whether any tickets were still available. Long story short, Mr. Gomersall sent me a message and comped two tickets to the event for me. You could have blown me over with a feather at his generosity. We had never even met before, beyond Facebook!

The next afternoon, one of my dear friends and I braved the pre-holiday traffic on the 405 and 101 freeways driving to Hollywood to attend the screening. In addition to being excited about finally being able to meet him and several of the other SeaWorld trainers featured in the movie, we were thrilled to be able to see and hear the Blackfish score performed live. I had bought and downloaded the soundtrack off iTunes as soon as it was available last year, and I often listen to it driving in my car or participating in social media in the evenings. Two of the pieces—“Orca in the Wild” and “Blackfish”—always give me goose-bumps, and I couldn’t wait to hear the music played live. (Needless to say, I have also had the soundtrack booming out of my iPod a lot since last weekend.)

Lisa and I were happy to see that the theater was packed. Before the movie, concertmaster Mark Robertson asked the audience who had seen Blackfish before that night. Many people, including my friend, had never seen the movie before. The rest of the audience (including me) had watched it many times. This dichotomy said a lot about the staying power and enduring influence that Blackfish has had on the public. When the film came out, director/writer/producer Gabriela Cowperthwaite said her original intention in making the movie was to explore why Tilikum, a SeaWorld orca, killed trainer Dawn Brancheau during a show. The rest is history, as marine biologists and former orca and marine mammal trainers stepped forward to provide a darker picture about what captive cetaceans endure at marine parks. 

As evidenced last Friday evening, the power of the movie’s message of compassion for the plight of these magnificent mammals continues to move people. It has even inspired a worldwide, popular anti-captivity movement dubbed “The Blackfish Effect.” According to the post-movie video featuring personal testimonials from several of the former trainers featured in the movie and live commentary from Samantha Berg, Mr. Gomersall, Carol Ray and Dr. Jeff Ventre, this phenomenon shows no sign of fading away anytime soon. Without the courage of these and other trainers and marine-mammal experts who daily share their experiences and observations to raise awareness about the plight of captive orcas, these animals would probably continue to suffer in silence and darkness.

Thank you so much, Mr. Gommersal, for inviting us to experience Blackfish: Live!

 Sara R. Fogan, C.Ht. is a certified hypnotherapist based in Southern California. She graduated with honors from the Hypnosis Motivation Institute in 2005. For more information about Calminsense Hypnotherapy®, please visit http://www.calminsensehypnotherapy.com/

(c) 2017

Watching Blackfish, Part 3

 

For me, one of the most interesting aspects of watching Blackfish with my family was seeing their reactions to the marine biologists’ and former SeaWorld trainers’ interviews. For many trainers, their attitudes about orca captivity evolved over the years, starting with genuine excitement, pride and love for the work they did training and performing with the killer whales. They explained how they loved to share their passion and knowledge about the orcas with park visitors; they loved the bonds they had created with the animals in their care. Eventually, however, the only reason they continued this work was so they could continue to care for the animals, because their real-life, behind-the-scenes experiences at the park were very different from the happy image the public saw in advertisements.

During the film, I watched as my nephews experienced a similar wave of emotion about the park. Afterward, they asked why people still go to marine parks to watch orca, dolphins and other marine mammals perform in a show when someone can just take a whale-watching trip and see the animals in the wild. Here are a few reasons why these parks remain popular:

         Whether you are talking about zoos, ocean-theme parks or circuses, animal entertainment is a “known” entity for a lot of individuals. These venues have always been around (or so it seems). Many people visit them with their families as part of a family vacation, and then recreate this positive experience with their own children, a generation later. These visits represent a familiar experience of comfort, love, family time, etc.

·         Hypnotic modalities also influence our beliefs and behaviors. As I explained in my blog about hypnotic modalities (Gullibility, Suggestibility, Hypnosis), three factors contribute to an hypnotic modality: 1) The other person has authority over you or perceived control over the environment; 2) The other person has an important theory, model or logic that makes some sense to you; and 3) The other person overloads you with so many message units or stimuli that you start to go along with whatever he or she is saying. (This is how the hypnotic state is created.) For example, people who visit marine parks and watch the orca performances might experience sensory overload from the bright colors or lights, loud music, cheering, smell of popcorn or other snacks, and even the sensation of heat from the sun, drizzle or a breeze as they sit in the stands. Those audience members who are sitting close enough to the pool will even enjoy the sensory experience of being soaked the orca smacks his or her tail against the surface of the water at the end of the performance (sensation overload). An orca trainer or other park representative wearing the park uniform/wetsuit and a microphone (authority) would narrate what the audience will be watching during the performance and provide specific details (facts/information) about the animals (doctrine). And then, of course, the audience gets to experience the performance, including being soaked by a spray of water when an orca smacks his or her tail on the water at the end of the show. In this closed environment, it is easy to understand how and why people get caught up in the excitement and supposed mystery of these performances. After all, how many people do you know get to work and interact with a killer whale? Even the former trainers who were interviewed in Blackfish conceded that, at the beginning, they believed what they had been taught about orca behavior during their training and happily disseminated this information to their audiences.

Like those trainers who eventually saw through the misinformation about these animals in the doctrine they had been taught, my nephews came to their own decision about whether captivity is harmful to the physical and emotional well-being of orca. As we all watched the documentary, I saw them ride a tide of curiosity and laughter to skepticism, outrage and sorrow that mirrored that of those trainers. During the course of these three blogs, I have described the subconscious thought processes likely helped to formulate their (and your) intellectual and viscerally emotional responses to Blackfish, whatever that response happened to be. For more information about this game-changing film, visit http://blackfishmovie.com/.

 

 

 

 

Sara R. Fogan, C.Ht. is a certified hypnotherapist based in Southern California. She graduated with honors from the Hypnosis Motivation Institute in 2005. For more information about Calminsense Hypnotherapy® and to set up an appointment, please visit http://www.calminsensehypnotherapy.com/.

© 2015

Watching Blackfish, Part 2

(This blog was originally posted on April 28, 2014)

As a practicing hypnotherapist, I spend a lot of time wondering, exploring and analyzing facets of behavior so I can create an effective hypnotic script that will help my clients to achieve their vocational and avocational self-improvement goals. I admit that this has become a subconscious, occupational behavior for me in a lot of non-clinical contexts, too. No matter where I am or what I am doing, I automatically contextualize every behavior and emotional reaction in terms of Hypnosis Motivation Institute founder John Kappas, Ph.D.’s models of suggestibility and sexual personality. Yesterday was no different. As I settled into my seat on the sofa to watch Blackfish with my mother, sister and her two sons, I was as riveted by my family’s responses to what they were watching as I was by the content of the documentary. I described their responses to the film in yesterday’s blog (Watching Blackfish, Part 1; 4/27/14). Today, I will explain the “hows” and “whys” behind my and my family’s behaviors and reactions to Blackfish as well as those of people who were interviewed for the film in the context of Dr. Kappas’ model of suggestibility and hypnotic modalities.

Suggestibility: Suggestibility (how we learn) is established by the age of 14. The primary caretaker—typically, mom—influences what type of suggestibility the youngster develops. (For more information, see my blog titled “Where Does Suggestibility Come From?” blog on 12/28/13). My sister, mother and I tried very hard to not reveal our emotions or thoughts about the film to the boys so they could to come to their own conclusions about Blackfish’s Big Question: Do orca belong in captivity? At age 10, the youngest was still very “physical” (direct and literal) in his interpretations of what he was watching. The orca trainers were shown smiling, nodding and enthusing about the information they were providing during a SeaWorld performance. The orcas’ mouths were open as if they were smiling, too. My nephew perceived that everyone was having a great time and he asked his mother to take him to the park one day. The picture of smiling people saying that they and the animals were having fun was consistent with what he knows (a known) as being happy or having fun.

 A little and while later in the film, a former trainer described the day a three-year-old orca calf was separated from its mother. The baby was being shipped to another park, and its mother was inconsolable with what the trainer and other marine biologists interpreted to be grief. How did we, the audience, trainers and the biologists know that the mother was experiencing grief? The orca was making a plaintive, screeching noise over and over again, which the scientists identified as calls of distress and even long-distance location calls previously heard when wild orca are looking for a lost member of the pod. The trainer who witnessed the separation and just about everyone who knew that a child had just been forever separated from its mother (and vice versa) only needed to watch and listen to her to understand what was going on. This was a great example of emotional suggestibility (audience and observers), who saw the emotional pain in one creature and then interpreted and internalized this distress as if it were our own. My youngest nephew was visibly distressed to see and learn that the baby would never see its mother again. Could this happen to me?

A little later in the documentary, a list of human/animal “accidents” recorded at the park flashes on the screen, interspersed with video clips of a few of these incidents. As he watched, my older nephew asked why no one had stopped the interactions if this kind of thing kept happening. He pointed out that it probably wasn’t a good idea to put humans in a tank with predators like killer whales. This observation would also be consistent with that of an emotional suggestible: captive orca + human has resulted in human injury or death several times, so why wouldn’t it happen again?

I will address how hypnotic modalities likely influenced our emotional reactions to the documentary—and visitors’ responses to their experiences at ocean-theme parks—in my next blog.

Sara R. Fogan, C.Ht. is a certified hypnotherapist based in Southern California. She graduated with honors from the Hypnosis Motivation Institute in 2005. For more information about Calminsense Hypnotherapy® and to set up an appointment, please visit http://www.calminsensehypnotherapy.com/.

© 2015

Watching Blackfish, Part 1

(This blog was originally posted on April 27, 2014)

 

I watched Blackfish (again) today. My sister wanted to borrow my DVD to watch with her sons; it had been a few months since I last saw the documentary, so I invited them over and we saw it together. I did warn her that some parts of the film might be sad or traumatic for her youngest child to see; I was very proud of him when my sister told me that she had warned him about that, but he believed the movie was very important and he should see it. So, my mom, my sister, her kids and I all gathered around the TV to watch it. In a way, the movie is about the effect of captivity on extended (matriarchal) families, so I thought it was appropriate that we were all going to see it, together. We popped popcorn. My youngest nephew likes to add hard-shelled chocolates to the popcorn, so I dumped some left-over Cadbury mini-eggs into the mix. My oldest nephew—who is almost 15 and a genius with technology—helped to get the DVD going in my dad’s (very complicated) Blue-Ray/DVD player.

The film affected me as it has every time I have seen it: I felt sad, frustrated, angry and even hopeful for the fate and future of these magnificent animals. This time, I was able to watch Blackfish through the eyes of two youngsters who didn’t know anything about the film or the ongoing campaign to end captivity of dolphins and whales. Although my sister and her boys have seen orca in the wild, the kids have never seen them perform at a marine park.

                Within the first few minutes of the movie, the younger boy started to ask questions and react to what he was watching: a dark screen, and then audio from the 9-1-1 calls start coming in. Someone is requesting emergency assistance to Shamu Stadium because a female trainer is being attacked by a killer whale. “Wait. Did that guy say the whale just ate her?” My nephew wanted to know, his eyes big as saucers.

                Later, in another scene, trainers are shown interacting with some orca. Happy music is playing in the background; the audience is cheering, my nephew is smiling. “Mommy, can we go to SeaWorld?” I must have grimaced, because the next question he had was whether the park was a good or bad place for the animals to be living in. My sister replied, “Watch the movie and decide for yourself.”

                By the end of the movie, we had watched fishermen capture and separate orca calves from their families to become stars in shows at marine parks. We had listened to interviews with biologists and former trainers about behavior of captive versus wild orca. We heard the trainers’ anecdotes about their interactions with the orca they worked with and how they felt about that work then and now. We had watched video analyses of the grief reactions observed in a couple of captive female orca whose calves had been taken away from them to perform at other parks. We had seen clips of accidents in which some trainers emerged from the training pool with lacerations, broken limbs and almost drowned. My older nephew observed sardonically that a bloodied trainer who was shown smiling and waving into the camera was doing this because he was “happy to be alive.” He added, “It wasn’t very surprising that when you keep a predator in a very stressful situation around humans, that people get hurt!”

When images of Tilikum’s family tree flashed on the screen and indicated that this orca had sired more than half of the orca in SeaWorld’s collection, both of the boys said in unison, “That isn’t good.”

                Everyone in my home audience finally breathed a sigh of relief and smiled when several of the former trainers go whale-watching and finally see wild orca, swimming free in the ocean. I was interested and ultimately gratified to observe how my sister and her sons reacted to what they saw in the film. Of course, the questions I had had about their reactions as a hypnotherapist (and observer of human behavior) were: How and why did they react to Blackfish the way they did? Did anyone—and if so, who—influence these reactions?

                I will address these issues in my next blog.

               

 

Sara R. Fogan, C.Ht. is a certified hypnotherapist based in Southern California. She graduated with honors from the Hypnosis Motivation Institute in 2005. For more information about Calminsense Hypnotherapy® and to set up an appointment, please visit http://www.calminsensehypnotherapy.com/.

© 2015

Watching Blackfish, Part 3

 

For me, one of the most interesting aspects of watching Blackfish with my family was seeing their reactions to the marine biologists’ and former SeaWorld trainers’ interviews. For many trainers, their attitudes about orca captivity evolved over the years, starting with genuine excitement, pride and love for the work they did training and performing with the killer whales. They explained how they loved to share their passion and knowledge about the orcas with park visitors; they loved the bonds they had created with the animals in their care. Eventually, however, the only reason they continued this work was so they could continue to care for the animals, because their real-life, behind-the-scenes experiences at the park were very different from the happy image the public saw in advertisements.

During the film, I watched as my nephews experienced a similar wave of emotion about the park. Afterward, they asked why people still go to marine parks to watch orca, dolphins and other marine mammals perform in a show when someone can just take a whale-watching trip and see the animals in the wild. Here are a few reasons why these parks remain popular:

·         Whether you are talking about zoos, ocean-theme parks or circuses, animal entertainment is a “known” entity for a lot of individuals. These venues have always been around (or so it seems). Many people visit them with their families as part of a family vacation, and then recreate this positive experience with their own children, a generation later. These visits represent a familiar experience of comfort, love, family time, etc.

·         Hypnotic modalities also influence our beliefs and behaviors. As I explained in my Hypnotic Modalities blog (January 16, 2014), three factors contribute to an hypnotic modality: 1) The other person has authority over you or perceived control over the environment; 2) The other person has an important theory, model or logic that makes some sense to you; and 3) The other person overloads you with so many message units or stimuli that you start to go along with whatever he or she is saying. (This is how the hypnotic state is created.) For example, people who visit marine parks and watch the orca performances might experience sensory overload from the bright colors or lights, loud music, cheering, smell of popcorn or other snacks, and even the sensation of heat from the sun, drizzle or a breeze as they sit in the stands. Those audience members who are sitting close enough to the pool will even enjoy the sensory experience of being soaked the orca smacks his or her tail against the surface of the water at the end of the performance (sensation overload). An orca trainer or other park representative wearing the park uniform/wetsuit and a microphone (authority) would narrate what the audience will be watching during the performance and provide specific details (facts/information) about the animals (doctrine). And then, of course, the audience gets to experience the performance, including being soaked by a spray of water when an orca smacks his or her tail on the water at the end of the show. In this closed environment, it is easy to understand how and why people get caught up in the excitement and supposed mystery of these performances. After all, how many people do you know get to work and interact with a killer whale? Even the former trainers who were interviewed in Blackfish conceded that, at the beginning, they believed what they had been taught about orca behavior during their training and happily disseminated this information to their audiences.

Like those trainers who eventually saw through the misinformation about these animals in the doctrine they had been taught, my nephews came to their own decision about whether captivity is harmful to the physical and emotional well-being of orca. As we all watched the documentary, I saw them ride a tide of curiosity and laughter to skepticism, outrage and sorrow that mirrored that of those trainers. During the course of these three blogs, I have described the subconscious thought processes likely helped to formulate their (and your) intellectual and viscerally emotional responses to Blackfish, whatever that response happened to be. For more information about this game-changing film, visit http://blackfishmovie.com/.

Sara R. Fogan, C.Ht. is a certified hypnotherapist based in Southern California. She graduated with honors from the Hypnosis Motivation Institute in 2005. For more information about Calminsense Hypnotherapy® and to set up an appointment, please visit http://www.calminsensehypnotherapy.com/.

© 2014