Emotional & Physical Sexual Personality Examples in Popular Songs

I am continuing to suspend in-person hypnotherapy sessions with me in my office. However, phone, and Zoom consultations ARE and WILL REMAIN AVAILABLE! 

 

(This blog was originally posted on May 1, 2018)

Photo by Rick Hustead

 

 The cornerstone of Hypnosis Motivation Institute founder John Kappas, Ph.D.’s hypnotherapy practice is his concept of Emotional and Physical Sexuality.  In my blog titled, All About Emotional and Physical Sexuality, Part 1, I described the characteristics of these personalities and the importance of knowing a client’s sexual personality as a way to understand, predict and even mold his or her behavior. I provided more information about each personality—in particular, their priorities and goals in the context of a romantic (sexual) relationship—in the follow-up blog titled All About Emotional and Physical Sexuality, Part 2. In today’s blog I will present relationship perspectives in three songs (“scenarios”) that may give you a lyrical insight about how Emotional Sexuals and Physical Sexuals might behave at the end of a relationship.

·        “Buy Me a Rose,” by Kenny Rogers. In this song, Kenny Rogers represents the Emotional Sexual partner in a relationship. Remember, an Emotional Sexual generally does not feel comfortable expressing his feelings for a lover or spouse (the same is true for Emotional Sexual women). Consistent with this personality, he shows the love he feels for his wife by working hard to provide a good home and lifestyle for her. Since an Emotional Sexual’s core values are financial security/work; hobbies; friends and family; and the relationship, in his mind the relationship is going great because he is providing for her so well. However, since he does not verbalize his emotions or even show affection by calling her from work to say hello/I love you, or even bring her flowers from time to time, their marriage is not really so great.

·        “Wrecking Ball,” by Miley Cyrus. Sung from the post-breakup perspective, the lyrics describe a post-mortem of all the extreme and excessive clinging behaviors with which a Physical Sexual overwhelms and often alienates her Emotional Sexual lover.  For example, when Cyrus describes how she “came in like a wrecking ball”—full of emotion and demanding attempts to get closer to her partner—you can almost imagine a hurricane-force ball of energy hurling at you. Meanwhile, the other partner keeps pulling away from her until she is burning with rejection. The heart-breaking line in the bridge of the song is when she concedes, “Instead of using force/I guess I should have let you in.” If she had taken a step (or several) back and given him some space—the metaphoric “Twinkie”—the relationship might not have imploded. (Although this song is sung by a woman/her perspective, it is also applicable to a Physical Sexual man in a similar situation.)

·        “Just Give me a Reason,” by Pink featuring Nate Ruess. For me, this song represents the dynamics and communication (or miscommunication) between Physical Sexual and Emotional Sexual partners as their relationship starts to unravel. The lyrics trace the trajectory of their early attraction in the romance to a plateau stage in the relationship, where the passion and urgency of new love has worn off. The Physical Sexual female notices that her partner is talking in his sleep and no longer seems as attentive or interested in her compared to what is going on in his life. Meanwhile, the Emotional Sexual male is confused about her insecurity about their relationship: “Your head is running wild again/my dear we still have everythin’.” As the title of this song suggests, the outlook for this couple seems bright, though, because both partners want to work through their insecurities and misunderstandings to save the relationship.

Although the three songs I have chosen for this essay seem to emphasize stereotypical male/female roles, it is important to note that Dr. Kappas’s theory of Emotional and Physical Sexuality is not based on male/female behaviors. A man can be a Physical Sexual and a woman can be an Emotional Sexual. For example, in her hit “Ex’s and Oh’s,” singer Elle King is the Emotional Sexual partner whose (Physical Sexual) lovers are pining and cursing her name after she ends the relationship.

 This is also a sliding scale, so no one will be 100 percent Emotional Sexual or 100 percent Physical Sexual. Rather, we each possess characteristics of both personalities but tend to be more “dominant” in one or the other category.

For fun, consider the lyrics of your favorite relationship song in the context of Emotional and Physical Sexual personality. You may find an entirely new perspective or understanding of the song.

 

 

Sara R. Fogan, C.Ht. is a certified hypnotherapist based in Southern California. She graduated with honors from the Hypnosis Motivation Institute in 2005. Sara has been voted the Best Hypnotherapist in Santa Clarita, California, four years in a row (2019-2022). For more information about Calminsense Hypnotherapy® and to set up an appointment, please visit http://www.calminsensehypnotherapy.com/

© 2022