Isn't It Interesting?

(This blog was originally posted on November 21, 2014)

                During my senior year at college I took an art (drawing) class as one of my electives. I preferred to look at and create portraits of people, animals and even scenery; “modern art” was not my thing. However, one of the class projects entailed using more abstract techniques such as lines, angles, shapes and bold splashes of color so that the specific object I drew would be virtually unrecognizable. The instructor even took the class on a field trip to check out a modern-art display at the Museum of Contemporary Art in Los Angeles. The excursion was meant to inspire the class and get everyone thinking not just about the specific techniques the artist used to create his or her masterpiece. In addition, we were supposed to consider the meaning or interpretation of a few specific pieces that “spoke” to us.

                I admit that I felt a little panicked and completely out of my element during most of this excursion. (Did I mention that modern art was not my thing?) I spent a lot of time staring, squinting and moving around different paintings trying to figure out what I was supposed to “get” out of them. What was I looking at? What was I supposed to see? I made notes about artistic techniques I recognized from the class. I did quick sketches of what I was looking at and scribbled questions to myself beside the illustrations. Nothing so far was really speaking to me; none of these works even made any sense to me. Time was ticking away and the field trip was almost over. Finally, I did the only thing I could think of: I put aside all of my expectations and preconceptions about what I should be seeing so I could just observe the details in front of my eyes. There would be plenty of time to assess and analyze everything, later. So, I looked.

                My eyes were opened that day. The second I stopped trying to categorize everything I saw, I could see and appreciate the tiny details of artistic technique—the slightest feathering of a brush stroke at the end of a line; was this intentional or accidental?—that I might never have noticed. I considered the angles and geometric shapes, shade and lightening of the color, in terms of how I might or could create a similar effect in my next project. And then I was able to wonder: What could or would these effects mean for the image I was trying to represent?

One of my friends has a favorite expression that I have started to use a lot, too: “Isn’t it interesting…” As in, isn’t it interesting how someone with physical suggestibility hears a question directly and literally but will make a statement that is full of metaphor and inference? Or, isn’t it interesting how two people with the same self-improvement goal can have completely different triggers for the unwanted behavior? Looking back, that field trip was the first time I was intentionally, consciously noticing and appreciating interesting and unique aspects of an otherwise-familiar situation. I looked at lines, smudges and shapes drawn in charcoal pencil. I regarded splashes of watercolor paint, or heavy lines and smudges of acrylic paint smeared onto canvas screens and sheets of metal. And then, somehow, all of this information (message units) coalesced into some kind of recognizable image in my subconscious mind. Suddenly, many individual pictures came together to create a story in my mind.

Isn’t that interesting?

Sara R. Fogan, C.Ht. is a certified hypnotherapist based in Southern California. She graduated with honors from the Hypnosis Motivation Institute in 2005. For more information about Calminsense Hypnotherapy® and to set up an appointment, please visit http://www.calminsensehypnotherapy.com/.

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