Wednesday, September 9, 2015

Mimicry. Imitation. Communication.


(This blog was originally posted on September 2, 2014)



Photo by Jennifer Berkowitz






     I recently witnessed something very interesting. While I was hanging out with my horse yesterday, a crow sitting on a branch in the tree beside me started to imitate the “honk” of some geese that belong to a  next door to my trainer’s property. I know that crows are exceptionally bright, but I have never seen or heard anything like that. I don’t believe that this was just a case of mimicry, either: the crow deliberately honked to the goose several times as if trying to get the other bird’s attention. When it finally responded, the crow honked right back a few times and then waited for the goose to communicate again. Meanwhile, another crow nearby cawed at the original one in the tree; the first crow responded in kind a few times and then resumed its calls to the goose. How cool is that?

     This incident made me think about the different ways people imitate another person's voice in speech and in song. Not just the words someone else says but also even the tone, pitch, rhythm/cadence of the words and even regional dialect or accent. Why do we do this, and how—and when—do we know that we are getting it right? For example, when I lived in England while I worked on my post-graduate degree, I gradually developed a slight lilt in my voice. I didn’t notice this change in my speech until I returned to the United States and people commented that I had developed a cool accent while I was away. This change made perfect sense, as the people with whom I worked, lived and socialized were British; over time, my subconscious mind accepted these accents as a new known and I eventually adopted it (or a version of it) as my own.
 
     Similarly, I often sing along when a favorite song comes on the radio or my iPod. My conscious mind knows that I do not sound anything Celine Dion, Annie Lennox, Katy Perry, Bon Jovi or Tim McGraw, but I still try to imitate those singers’ voices when I’m singing along to their songs. Why won’t my subconscious mind let me give up that ghost and sing without trying to sound like someone I’m not? Even when I consciously try to sing in my own voice, in the back of my mind I can still imagine hearing what one of those performers sound like and I catch myself trying to sing the same way.
 
     My answer to that question may be found in Hypnosis Motivation Institute founder John Kappas, Ph.D.’s Theory of Mind. Dr. Kappas stated that from the moment we are born we start to develop a subconscious life script by learning specific behaviors through association and identification. Even though most of this script is written by the time we are about eight years old, the mind continues to take in more information which the subconscious mind may accept or reject. For example, we learned how to talk by associating and identifying specific words that a primary caretaker taught us, and then we imitated this behavior (e.g., how to move our mouths to create words) to speak. Over time, we also modeled other people to learn and correct our pronunciation and increase our vocabulary. Many parents or caretakers sing to their young children, which may explain people’s fondness for listening to music and singing, or participating in these activities ourselves. And, just like we did when we learned how to speak, once we learn the words to a song we like we subconsciously imitate the way the singer performs the lyrics.
 
     I wonder if the crow I observed yesterday was unintentionally imitating the neighbor’s goose to communicate with the other bird the same way humans do in speech and song.



Sara R. Fogan, C.Ht. is a certified hypnotherapist based in Southern California. She graduated with honors from the Hypnosis Motivation Institute in 2005. For more information about Calminsense Hypnotherapy® and to set up an appointment, please visit http://www.calminsensehypnotherapy.com/.
© 2015

Tuesday, September 8, 2015

With Your Permission (And Only With Your Permission), Part 2



(This blog was originally posted on January 21, 2014)


         I could not believe it.  Sunday night, right before my (and thousands of viewers’) eyes, a random hypnotist essentially ambushed a beloved character of the television series I was watching. Bam! Right in the middle of a critical scene in the episode, the hypnotist addressed the character by name, gave a command (eye fascination) and did a rapid induction to knock him out long enough for critical elements of the plot to make sense and the storyline to move along. Following are my reasons why this scene worked—and made sense—in the context of Hypnosis Motivati­on Institute founder John Kappas, Ph.D.’s definition of hypnosis and the following key elements of the plot:

1.       According to Dr. Kappas, hypnosis is “[a state] created by an overload of message units that disorganizes our inhibitory process (critical mind), triggering our fight/flight mechanism and ultimately resulting in a hyper-suggestible state [that provides] access to the subconscious mind.” The character was distraught and in a state of high anxiety when the hypnotist approached him. He didn’t want to/wouldn’t physically leave the scene, but this opportunity for temporary “escape” into hypnosis was an easy way to escape the trauma and drama going on around him.
2.       The hypnotist was calm and in control—and took control of the situation. He spoke the protagonist’s name and commanded the character to look at him.
3.       The hypnotist appeared to use a variation of the direct-gaze shock induction to hypnotize the protagonist. This is a legitimate rapid-induction technique in which a hypnotist has the person look him in the eye and supports his or her upper body during the physical aspect of the induction.
4.       The hypnotist used the key phrase, “deep sleep” that is typically employed during hypnosis. At the end of the scene, once key plot details had been resolved, the hypnotist counted the character back up to full awareness.

When I saw this scene unfold every cell in my body screamed “foul!” at the irresponsible depiction and unethical/immoral application of hypnosis. The technique that the hypnotist employed, and the context in which he used it, was in no way hypnotherapy. However, considering the protagonist’s overwrought emotional state and the activity going on around him, it was easy to understand how this scene was a perfect example of Dr. Kappas’ explanation of how and why hypnosis works. I think the inclusion of a rogue hypnotist doing a rapid induction to temporarily overwhelm the character’s already-overloaded subconscious mind was an ingenious, extra detail that will keep fans talking about this episode for a long time.


Sara R. Fogan, C.Ht. is a certified hypnotherapist based in Southern California. She graduated with honors from the Hypnosis Motivation Institute in 2005. For more information about Calminsense Hypnotherapy® and to set up an appointment, please visit http://www.calminsensehypnotherapy.com/.
© 2015

Monday, September 7, 2015

With Your Permission (and Only With Your Permission), Part 1



(This blog was originally posted on January 20, 2014)



     If you do not want to be hypnotized—whether you do not believe that hypnosis will work for you or resist being hypnotized because you are afraid—you won’t be. I repeat the statement, “with your permission and only your permission” throughout the session to remind my clients that they can choose to be hypnotized and actualize their desired behavior changes. I also use my clients’ own words to reinforce their emotions, reasons and motivations for making these changes. As a certified hypnotherapist, I use hypnosis is a tool to help you change behaviors that no longer work for you and replace them with behaviors, strategies, etc. that you want and believe will improve your quality of life. During hypnosis, you are completely aware of everything going on around you. If you wouldn’t say or do something when you are completely alert, you would not and could not be made to do anything in hypnosis that opposes your beliefs, morals and ethical principles.

     Therefore, I tend to be very critical of how and why hypnosis is depicted on television and in movies: a protagonist is “commanded” to do something that is completely out of character; the hypnotist erases and then replaces a character’s memory with a new, fictitious personal history and personality; or a person is “hypnotized” to behave in a particular way simply to move the plot along. In these scenarios, the character is completely unaware that he has been hypnotized; he just carries out the hypnotist’s bidding and does whatever needs to be done to move the plot along. Imagine my surprise that I not only bought the hypnosis-ambush of a character in a popular detective series, but it made absolute sense why this scenario worked and was believable.
               


               
Sara R. Fogan, C.Ht. is a certified hypnotherapist based in Southern California. She graduated with honors from the Hypnosis Motivation Institute in 2005. For more information about Calminsense Hypnotherapywww.hypnosis.edu® and to set up an appointment, please visit http://www.calminsensehypnotherapy.com/.
© 2015

Friday, September 4, 2015

Don't Rise to the Bait


(This blog was originally posted on August 21, 2014)

 
Photo courtesy of Fotolia



Whether it’s a colleague at work or another kid at school who is subtly or not-so-subtly challenging you, the most effective strategy to dissipate the tension between you is to ignore the taunt. Unfortunately, nothing is one of the most difficult things to do when we want to stand our ground and defend what we believe. This is even more challenging when we buy into and believe the criticism or digs someone is directing our way. Like children on the playground, adults can also get caught in a seemingly endless cycle of verbal sparring because this kind of interaction has become an established pattern between the participants. There may not be a specific reason why this behavior occurs; and for the purposes of this essay, it doesn’t even matter. The point here is the behavior and how you can prevent yourself from responding to and engaging with whatever has instigated it. 

Whenever you find yourself in a potentially negative interaction ask yourself: Is the trash talk part of your usual repertoire with this individual or individuals? If your answer is yes, consider who is instigating the negativity. Be honest! It surprises many people to realize that they may have started the argument or made the first dig without even consciously knowing or intending to do this. If you did intend to stir something up with the other person, consider your reason or reasons for doing so. Sometimes we criticize another person’s behavior or appearance, etc., because we actually disapprove of or even resent that attribute in ourselves. If your answer is no, think back to a similar, previous occasion or events in which you were the object of the other person’s animosity. How did you react in those situations? How did the other person respond to what you said or did? If this scenario has been repeated several times, it is likely that you both follow a subconscious mental script in which you trigger specific antagonistic/combative and defensive/combative responses in each other. 

Even if this behavior has become a habit, the good news is that you both can unlearn it and rewrite your mental scripts to create a more constructive way of interacting. Do not use or waste this time and your energy trying to come up with a clever retort to the other person’s taunt, either. Any temporary pleasure you may feel when you say it will be overshadowed by the fact that your quip will only reinforce the unwanted behavior you’re trying to get rid of and the other person’s negative behavior toward you. The easiest way to start changing the original pattern is simple: just do not respond to that dig or verbal jab. Instead, draw a deep breath through the nose and hold it to the count of four and then exhale the breath through your mouth. As you inhale, visualize, imagine, picture or pretend that you are inhaling calm, focus, patience and any word that you associate with feeling powerful, in control, and loving or benevolent. Then when you exhale, imagine that you are releasing from your body every last bit of anger, stress, frustration or negative energy or emotion that you feel about the other person and/or this situation. 

For all intents and purposes, you are in a kind of “relationship” with the other person or people with whom you share this behavior. Like any other relationship in your life, this one is also subject to the principles behind the Systems Approach, whereby you cannot separate one component of the system from the sub-total or entire system. According to John Kappas, Ph.D., the founder of the Hypnosis Motivation Institute, changing your behavior in the relationship—i.e., no longer respond to comments or communicate with the other party the way you used to—will necessarily affect the basic structure of the relationship or system and create resistance within it. The ultimate goal of applying the Systems Approach in hypnotherapy is to bring the System (relationship) back into balance. However, if that system is no longer working for you and the other party or parties is unwilling to change their behavior to restore this balance, the relationship as it stands will not survive. Under those circumstances, you may ultimately find that leaving the toxic relationship and combative social environment is the better option anyway.






Sara R. Fogan, C.Ht. is a certified hypnotherapist based in Southern California. She graduated with honors from the Hypnosis Motivation Institute in 2005. For more information about Calminsense Hypnotherapy® and to set up an appointment, please visit http://www.calminsensehypnotherapy.com/.

© 2015