Tuesday, September 2, 2014

Mimicry. Imitation. Communication.






Photo by Jennifer Berkowitz




 

                I recently witnessed something very interesting. While I was hanging out with my horse yesterday, a crow sitting on a branch in the tree beside me started to imitate the “honk” of some geese that belong to a neighbor next door to my trainer’s property. I know that crows are exceptionally bright, but I have never seen or heard anything like that. I don’t believe that this was just a case of mimicry, either: the crow deliberately honked to the goose several times as if trying to get the other bird’s attention. When it finally responded, the crow honked right back a few times and then waited for the goose to communicate again. Meanwhile, another crow nearby cawed at the original one in the tree; the first crow responded in kind a few times and then resumed its calls to the goose. How cool is that?

                This incident made me think about the different ways people imitate each other’s voices in speech and in song. Not just the words someone else says but also even the tone, pitch, rhythm/cadence, volume of the words and even regional dialect or accent. Why do we do this, and how—and when—do we know that we are getting it right? For example, when I lived in England while I worked on my post-graduate degree, I gradually developed a slight lilt in my voice. I didn’t notice this change in my speech until I returned to the United States and people commented that I had developed a cool accent while I was away. This change made perfect sense, as the people with whom I worked, lived and socialized were British; over time, my subconscious mind accepted these accents as a new known and I eventually adopted it (or a version of it) as my own.

Similarly, I often sing along when a favorite song comes on the radio or my iPod. My conscious mind knows that I do not sound anything Celine Dion, Annie Lennox, Katy Perry, Bon Jovi or Tim McGraw, but I still try to imitate those singers’ voices. Why won’t my subconscious mind let me give up that ghost and sing without trying to sound like someone I’m not? Even when I consciously try to sing in my own voice, in the back of my mind I can still imagine hearing what one of those performers sound like and I catch myself trying to sing the same way.

                My answer to that question may be found in Hypnosis Motivation Institute founder John Kappas, Ph.D.’s Theory of Mind. Dr. Kappas stated that from the moment we are born we start to develop a subconscious life script by learning specific behaviors through association and identification. Even though most of this script is written by the time we are about eight years old, the mind continues to take in more information which the subconscious mind may accept or reject. For example, we learned how to talk by associating and identifying specific words that a primary caretaker taught us, and then we imitated this behavior (e.g., how to move our mouths to create words) to speak. Over time, we also modeled other people to learn and correct our pronunciation and increase our vocabulary. Many parents or caretakers sing to their young children, which may explain people’s fondness for listening to music and singing, or participating in these activities ourselves. And, just like we did when we learned how to speak, once we learn the words to a song we like we subconsciously imitate the way the singer performs the lyrics.

                I wonder if the crow I observed yesterday was unintentionally imitating the neighbor’s goose to communicate with the other bird the same way humans do in speech and song.

 

 

 

Sara R. Fogan, C.Ht. is a certified hypnotherapist based in Southern California. She graduated with honors from the Hypnosis Motivation Institute in 2005. For more information about Calminsense Hypnotherapy® and to set up an appointment, please visit http://www.calminsensehypnotherapy.com/.

© 2014

 


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